Review: Big Sean – “Dark Sky Paradise”
On his third LP, Big Sean taps into a raw version of himself and presents his best work to date.
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Review: Emile Haynie – “We Fall”
The New Yorker’s debut is reflective and jarring but its cathartic orchestration is just brilliant.
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Review: BadBadNotGood & Ghostface Killah – “Sour Soul”
BBNG & Tone’s collab project stays animated as a numbing experiment that’s far from ordinary.
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Review: Damien Rice – “My Favourite Faded Fantasy”
Damien Rice’s third studio effort is stifled by heartache, but the craft and outpour of honesty make it a true marvel.
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Review: Les Sins – “Michael”
Taking his adventurous side up a notch, Chaz Bundick’s debut album as Les Sins is an unpredictable headrush.
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Review: Single Mothers – “Negative Qualities”
Flexing a new take on Bronx-aged punk, Single Mothers’ long-awaited debut is an infection you can’t scrub off.
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Review: Flying Lotus – “You’re Dead!”
Flying Lotus’ fifth studio album traces the impending nature of death with an inventive mix of collabs, soul, and electronic highs.
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Review: Alt-J – “This Is All Yours”
Exploring a broader dimension of Internet-aged dub-pop, alt-J’s sophomore effort is direct, bold, and confident.
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Review: Death From Above 1979 – “The Physical World”
Though it has its similarities, DFA eclipse You’re A Woman… with a full-length that rewires their blistering crunch.
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Review: Banks – “Goddess”
Jillian Banks’ major label debut is littered with love, heartbreak, and intimacy, but it’s also a drug you should try.
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