REVIEW: Silverstein – “Short Songs”
For the past three years it feels as if Silverstein have still been wrapped up in the quit-playing-games-with-my-heart pop punk charade that still…
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REVIEW: Lana Del Rey – “Born To Die”
“Every time I close my eyes, it’s like a dark paradise”. The theme couldn’t be more spot on for Lana Del Rey’s highly coveted debut. On the…
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REVIEW: Chairlift – “Something”
After three years of being commercial kings and queens, Caroline Polachek and Patrick Wimberly, the duo that make up Chairlift, now…
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REVIEW: Pulled Apart By Horses – “Tough Love”
Leeds four piece Pulled Apart By Horses have a weird stand in the world of post-hardcore. Not because they’re a triangle to the rectangle…
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REVIEW: Foxy Shazam – “The Church Of Rock And Roll”
In this world full of stereotypical twists and turns, Foxy Shazam’s fourth record, The Church Of Rock And Roll, is a bombastic outburst that…
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REVIEW: The Saddest Landscape – “After The Lights”
There are always those rare instances at the beginning of records – the ones that collapse into a surging rush of harmony and grab you by the…
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REVIEW: Anthony Green – “Beautiful Things”
Bliss is a five-letter word the 29-year-old songwriter’s had a twisted history with. Persevering to record a major label debut with his brothers…
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REVIEW: The Weeknd – “Echoes Of Silence”
It’s vindictive as it is sensual, and on this installment, Abel Tesfaye is essentially bolder than he’s ever been. “Outside”, a sexual confession…
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REVIEW: Cloud Nothings – “Attack On Memory”
The Cleveland outfit have progressed into a band, one that can slam down a pivotal near-end rhythm and properly jam out a nine-minute…
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INTERVIEW: States
Before summer last year, the pop rock creation States came into fruition. It brought together two acts – Lydia and Copeland – causing a wave…
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