Review: Action Bronson – “Mr. Wonderful”
Bam Bam’s major label debut is an offbeat effort that uses narratives to paint something real.
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Bam Bam’s major label debut is an offbeat effort that uses narratives to paint something real.
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Megan James and Corin Roddick’s sophomore LP is a paralyzing example of depth/staying power.
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On his third LP, Big Sean taps into a raw version of himself and presents his best work to date.
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BBNG & Tone’s collab project stays animated as a numbing experiment that’s far from ordinary.
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Damien Rice’s third studio effort is stifled by heartache, but the craft and outpour of honesty make it a true marvel.
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Taking his adventurous side up a notch, Chaz Bundick’s debut album as Les Sins is an unpredictable headrush.
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Flexing a new take on Bronx-aged punk, Single Mothers’ long-awaited debut is an infection you can’t scrub off.
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Flying Lotus’ fifth studio album traces the impending nature of death with an inventive mix of collabs, soul, and electronic highs.
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Jillian Banks’ major label debut is littered with love, heartbreak, and intimacy, but it’s also a drug you should try.
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Greys’ full-length debut teeters on the edge of perfection while promptly beating your head in time and time again.
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