Review: The Orwells – “Disgraceland”
The Chi-town fivesome come off the bench and let loose a barrage of jukebox vices that Stooge up the suburbs.
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Review: Sharon Van Etten – “Are We There”
Trading guitars for simplicity, Van Etten’s fourth record bares her soul, her heart, and her gorgeous voice.
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Review: The Black Keys – “Turn Blue”
As much as True Blue intros a new cycle, the Keys’ eighth LP guts open the kind of alt rock that leaves you broken.
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Review: Iggy Azalea – “The New Classic”
Iggy has cornered her niche with her label debut but it finds difficulty in accentuating her bossy flow and confidence.
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Review: SZA – “Z”
The TDE songbird truly branches out on her label debut, flirting with dance pop, Blackground beats, and sweet seduction.
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Review: Cloud Nothings – “Here And Nowhere Else”
Admirable and punishing, the trio’s latest album is a windowsill display of how the Wipers appealed to Portland kids.
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Review: The War On Drugs – “Lost In The Dream”
Adam Granduciel’s Philly-based project eclipses the rock norm with a record that lets the heart daydream a little bit.
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Review: Perfect Pussy – “Say Yes To Love”
Perfect Pussy’s debut adds footnotes to their sound, one that’s quickly expanded to leave scar tissue on your eardrums.
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Review: Lakutis – “Three Seashells”
NYC’s Aleksey “Lakutis” Weintraub is known to give fans a vocabulary high and his new album/mixtape is proof.
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Review: Angel Olsen – “Burn Your Fire For No Witness”
Olsen’s ability to transfuse life changes into riveting alt-pop is just a peek into why her new record is incredible.
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