REVIEW: Die Antwoord – “Ten$Ion”
In one ear and out it goes the other. In a span of 20 months, Die Antwoord signed to a major, re-released a debut and waved goodbye…
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REVIEW: Silverstein – “Short Songs”
For the past three years it feels as if Silverstein have still been wrapped up in the quit-playing-games-with-my-heart pop punk charade that still…
Read MoreREVIEW: Lana Del Rey – “Born To Die”
“Every time I close my eyes, it’s like a dark paradise”. The theme couldn’t be more spot on for Lana Del Rey’s highly coveted debut. On the…
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REVIEW: Chairlift – “Something”
After three years of being commercial kings and queens, Caroline Polachek and Patrick Wimberly, the duo that make up Chairlift, now…
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REVIEW: Pulled Apart By Horses – “Tough Love”
Leeds four piece Pulled Apart By Horses have a weird stand in the world of post-hardcore. Not because they’re a triangle to the rectangle…
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REVIEW: Foxy Shazam – “The Church Of Rock And Roll”
In this world full of stereotypical twists and turns, Foxy Shazam’s fourth record, The Church Of Rock And Roll, is a bombastic outburst that…
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REVIEW: Matt Pryor – “May Day”
The fiery two minute “Regent’s Court,” a track off of last year’s The Get Up Kids reunion album, features enough urgent emotion and sincerity…
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REVIEW: theHELL – “Sauves Les Requins”
You’ve heard these songs before. Not literally perhaps, but you have heard these same staple bar chords and these same boilerplate vocal…
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REVIEW: The Saddest Landscape – “After The Lights”
There are always those rare instances at the beginning of records – the ones that collapse into a surging rush of harmony and grab you by the…
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REVIEW: Anthony Green – “Beautiful Things”
Bliss is a five-letter word the 29-year-old songwriter’s had a twisted history with. Persevering to record a major label debut with his brothers…
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