Review: Les Sins – “Michael”
Taking his adventurous side up a notch, Chaz Bundick’s debut album as Les Sins is an unpredictable headrush.
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Taking his adventurous side up a notch, Chaz Bundick’s debut album as Les Sins is an unpredictable headrush.
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Flexing a new take on Bronx-aged punk, Single Mothers’ long-awaited debut is an infection you can’t scrub off.
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Flying Lotus’ fifth studio album traces the impending nature of death with an inventive mix of collabs, soul, and electronic highs.
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Exploring a broader dimension of Internet-aged dub-pop, alt-J’s sophomore effort is direct, bold, and confident.
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Though it has its similarities, DFA eclipse You’re A Woman… with a full-length that rewires their blistering crunch.
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Jillian Banks’ major label debut is littered with love, heartbreak, and intimacy, but it’s also a drug you should try.
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Greys’ full-length debut teeters on the edge of perfection while promptly beating your head in time and time again.
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The Chi-town fivesome come off the bench and let loose a barrage of jukebox vices that Stooge up the suburbs.
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Trading guitars for simplicity, Van Etten’s fourth record bares her soul, her heart, and her gorgeous voice.
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Swans’ latest experimental epic is a testing experience that can’t be put into words. And that’s sort of the point.
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