Review: Dirty Projectors – ‘Dirty Projectors’
On LP #4, David Longstreth skips the sad white guy shtick for a glitchy pop escape that weirds itself into a VR port of ‘808s & Heartbreak’.
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On LP #4, David Longstreth skips the sad white guy shtick for a glitchy pop escape that weirds itself into a VR port of ‘808s & Heartbreak’.
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The London four-piece stain shoegaze with their self-titled, pummeling through alt genres at an incredible volume.
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The L.A. four-piece have presented their best work and it just so happens to be seductive, refined, and paralyzing.
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John Barrett’s sophomore ripper shreds muscles, pushes garage pop to dames and funnels unmissable hooks.
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Somehow, the Mississippian/Cats Purring associate has made his debut into a breakout record without the cheese.
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Though it may not be for everyone, Paramore’s self-titled rolls with the punches and brushes off adversity.
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The impressive second album warrants comparisons to songwriters with much longer back catalogues.
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The L.A. punks prove it’s about appreciating the little things, especially if those things are benders and surf rock.
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For 11 tracks, Gallows’ self-titled effort moves on from brooding uncensored despair to deliver intrepid ferocity, that through a more…
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What do you do when the world demands you make an “official” debut record? In the case of OFF!, you make a debut record that leaves claw…
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